After all, this is a string section, not an entire orchestra. Some modern‑day composers may feel that unless they spend a day feeding their computer discs and having to use a new hard drive for each library, they're being short-changed, but I'm totally cool with SE's smaller footprint. Miroslav may be a master at getting the most out of small sample sizes but in 2010, that's still a little light, right? However, the Best Service Engine Player (more on this later) decompresses the samples on the fly, so in fact you're getting 35 to 40 gigabytes of data. Well, here's the thing: after it's transferred to your hard drive, the library weighs in at around 6.5GB. After all, for its retail price, I would expect SE to be so massive that it would ship on a hard drive or at least a half dozen discs. The entire String Ensembles library (SE from here on in) ships on a single DVD. Were my expectations met? Am I, in fact, sockless? Read on. For the last month, I've been testing String Ensemble's features, challenging it against the other top players in the field and using it in professional productions. Miroslav's name alone evokes so much integrity that his new string library promises to raise the bar. With Miroslav's latest release, String Ensembles Composer's Dream (to give it its full title), I couldn't help but expect to have my socks knocked off. Fast forward a decade or so to the present day and Miroslav's original library is still being employed by composers and producers, for its simplicity and, more importantly, for its great sound. His original orchestral sample library, which I own in Akai format, was the source for convincing orchestral mock‑ups. The name 'Miroslav' is nothing new to any musician who uses samples in their productions. Does this brand-new library live up to it? The Vitous brand has a great reputation in the world of orchestral samples.
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